![]() ![]() We suspect you may have questions.I got this message after downloading the free version and clicking on the. HitFilm 4 Pro is the best version we’ve ever made and we can’t wait to see what you create with it. And, of course, we have our new friends at Boris FX and our on-going partnership with the fine people over at Imagineer Systems and their Academy Award-winning planar tracking technology in mocha HitFilm. HitFilm 4 Pro continues to fully support OpenFX, opening the door to great products from GenArts, Red Giant, RE:Vision and New Blue. We now support Premiere Pro, After Effects, Final Cut Pro X, Motion, DaVinci Resolve, Vegas Pro and Catalyst Edit, and we’re working with Grass Valley to support EDIUS Pro 8 in the near future. Purchasing HitFilm 4 Pro makes all your other video software better, too. Our effects plugins for third party hosts are now packaged up as the new HitFilm Ignite collection, included as part of HitFilm 4 Pro (also available separately on the Store). Attach a helicopter noise to your animated 3D model and HitFilm will work out the positioning. The most unique addition is Doppler Shift, which automatically adjusts audio based on the movement of a 3D layer. Rate stretch – change the playback speed of any clip or layer using this fast tool or in the new Speed/Duration window.Īudio effects – there’s now a built-in equalizer and fast noise reduction, plus a range of classic ambience presets. If you’re coming from another editor like Premiere Pro you’ll feel right at home. Variable playback – you can now play your timeline forwards and backwards at varying speeds and we’ve updated the shortcuts system to support traditional JKL control. We’re not done yet! Editing video and audio in HitFilm 4 Pro is a completely new experience. Here’s a couple of example recreations created entirely in HitFilm 4 Pro, using a combination of Boris FX titling, particles and 3D models: It’s usually $299 on its own, but it’s now included with HitFilm 4 Pro. We’ve teamed up with Boris FX to include the 3D Objects plugin, which delivers advanced titling with complete control over font rendering, extrusion, beveling, distortion and animation. If you’re a motion graphics artist or want to make a cool title sequence, HitFilm 4 Pro has major new features to help you out. Plug that into the particle simulator and you’ve got yourself several dinosaurs. Think of it like 3D stock footage – you can now import a T-Rex with a complex walk cycle and composite it inside HitFilm, retaining full camera and lighting control. This allows for far more complex animations to be rendered in HitFilm, while retaining full 3D compositing capabilities. We also now support an animation format called Alembic, which makes it possible to import pre-animated 3D models. Whether you’re animating a spaceship coming in for landing or a title flying onto the screen, you’ll find yourself using this feature in every project. Want an animation to start quickly then come to a gradual, slow stop? That’s now super easy. It’s a visual representation of how your keyframes change over time, making it easy to adjust the exact pace of change. Then there’s the brand new animation value graph, which truly revolutionizes your HitFilm projects. It also introduces a new level of control and precision in the completely rebuilt animation system.Īnimation paths can now be fine tuned using bezier handles in the Viewer, making it easy to adjust the exact shape of a curve or switch to a fully linear move. Shiny things are good but HitFilm 4 Pro isn’t only about things looking prettier. This allows you to surround a 3D model with particles without seeing hard texture edges – the result is very natural, convincing volumetric particle simulations. HitFilm’s celebrated unified 3D space has also been enhanced with the implementation of soft particles. Especially useful if you’re using shadow catchers to composite into live action. That means that you can put a 3D model on top of a plane in HitFilm and you’ll get realistic occlusion. Global ambient occlusion – we’ve upgraded the AO system to cast between different 3D layer types. In other words, your lighting looks better without you having to put in much extra work. This creates very natural lighting without having to create complex setups of 3D lights. ![]() ![]() Take a look at the video up top to see it in action.ĭynamic reflections – objects can now reflect each other and their surroundings! If you’re working with something shiny, like a polished vehicle, this is a big deal.ĭiffuse lighting – if you have a 3D model near a large green wall, the green light reflected from the wall will now spill onto your model. New lighting method – 3D models can now be rendered more accurately as different physical materials, from plastics to metals, with fine control of light bouncing off surfaces. ![]()
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